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Description:
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"Under an alphabetical list of relevant terms, names and concepts (from a to ’zounds), the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins. Coverage includes the practices of Elizabethan actors and script writers: methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and make-up. The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging."
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Access:
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Available only to current students, faculty and staff of The University of Tulsa. |
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Full Text:
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Yes |
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Simultaneous Users: | Unlimited |
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Provider: | Credo |
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