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Department of Special Collections and University Archives McFarlin Library. University of Tulsa. 2933 E. 6th
St. Tulsa,
OK. 74104-3123 (OKT - OkTU) |
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Béla Rózsa archive
Collection 2006-001
Dates:
Extent: (7 oversized document boxes)
Level of Description: Item level.
Name of creator(s):
Date of creation: Undetermined.
Scope and Content: The collection, housed in 7 oversized document boxes, contains manuscripts, ozalid prints and masters,
photocopies, and sketches of Béla Rózsa’s works, student notebooks,
correspondence, ephemera, and materials relating to Rózsa’s enthusiasm for
chess. Some scores by Rózsa’s friends, colleagues, and students are also
included, as well as programs and scores from the School of Music’s annual
Béla Rózsa Memorial Concert and Student Composition Competition.
Administrative/Biographical History: Dr. Béla Rózsa, composer, pianist, organist, and chess enthusiast, taught at The University of Tulsa School of Music from 1945 to 1974, serving as head of the department of music theory and director of graduate study. He
was born February 14, 1905 in Kecskemet, Hungary, son of the opera singer Lajos Sandor Rózsa, a leading baritone in Vienna and Budapest. Béla Rózsa began his musical studies at the Liszt Academy in Budapest, and at age
thirteen he began to accompany his father in concerts. Two years later, in 1921, the family came to the United States, where his father joined the New York Metropolitan Opera.
In a letter found in the collection, Béla Rózsa writes “Shortly after our
arrival here, my father became a member of the Metropolitan Opera Co., and
died a year after in very tragical circumstances.” The teenage Rózsa goes
on to relate how he had been supporting himself and his mother, working
“from as a stock boy up to a ‘second class’ movie pianist … playing in one
of those cheap uptown theatres.” At the same time he continued his musical
studies at the Institute of Musical Art (later the Juilliard School of
Music), receiving a diploma in composition in 1928. Winning the Seligman
Prize for chamber music composition gave him the opportunity for further
study in Paris with Nadia Boulanger.
Rózsa continued to live in New York City, conducting orchestras and
choruses, producing operas, and serving for five years as staff pianist
and organist at the National Broadcasting Company. He undertook graduate
studies at the University of Iowa, and in 1943 he was awarded a doctorate
in Composition and Psychology of Music. Before joining the faculty of the
TU School of Music, he taught at Baylor University and was the head of the
music department at Iowa Wesleyan University.
Dr. Rózsa was also an avid and passionate chess player. In 1940 he won the
North Texas Championship, and twice (1942 and 1948) tied for first place
in the prestigious Southwestern Open. He was a ten-time Oklahoma State
Chess Championship, and in 1952 won the Tenth Grand National
Correspondence Chess Tournament, a ten year event in which over 1,000
players competed. The Oklahoma Chess Association continues to honor him
with an annual tournament.
Béla Rózsa’s legacy at the University of Tulsa School of Music is
considerable, and continues to the present day. He is honored every year
with a memorial concert and nationwide composition contest for high school
and college students. The Béla Rózsa Archive collection was organized and
cataloged in 2006 by David Moore.
Access and Copyright:
Language and Scripts:
Finding aid/Inventory:
Provenance/Source of Acquisition: The greater part
of the Béla Rózsa Archive is a gift of his daughter, Mrs. Roxanna Lorton. A
small number of scores and ephemera have come from other sources, such as items
found in TU faculty members’ offices, etc.
Date(s) of description: David Moore, 2005.
Access Points:
Subject Headings
Personal names
Corporate names
Places
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Inventory |
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Series: 1: Manuscripts and prints of Béla Rózsa’s compositions |
| 1:1 |
Valse Melancolique, Opus 1, no. 1
Piano solo
Inscribed “ŕ M.” dated December 31, 1923 |
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| 1:2 |
Spring Emotions, Opus 2, no.4
Piano solo/Strings
Inscribed “To my dearest Yolly” dated April 13, 1924. With parts for string
[quintet]. |
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| 1:3 |
Spring Emotions, Opus 2, no.4
Piano solo
Inscribed “To my dearest Yolly” another copy dated April 18, 1924 |
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| 1:4 |
Organ Prelude on Wagner’s “Firemagic” [sic]
from Die Walküre, Opus 2, no. 1
Organ
Signed. Inscribed ”to my dear Father,” dated January 24, 1924. |
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| 1:5 |
A Gay Memory, Opus 2, no. 5
Piano solo
Dated June, 1924, New York |
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| 1:6 |
Winter Fantasy, Opus 2, no. 6
Piano solo
Inscribed “To Aranka,” dated January 30, 1925, New York |
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| 1:7 |
Marche Funčbre, Opus. 3, no. 1
Piano solo
Dated February 5, 1924 |
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| 1:8 |
Etude, G minor, Opus 4, no. 1
Piano solo
Dated May 11, 1924, New York |
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| 1:9 |
Etude, [Bb minor], Opus 4, no. 2
Piano solo
Dated October 8. 1924 |
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| 1:10 |
Nocturne, Opus 6, no. 1
Piano solo
Dated September 14, [1924]
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| 1:11 |
Toccata, Opus 7, no. 1
Piano solo
Dated September 21 1924 |
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| 1:12 |
Moods, Opus 8 no. 1
Piano solo
Dated March, 1925 |
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| 1:13 |
Die Walküre Fugue, Opus 8, no. 2
Piano solo
Missing. Listed in inventory but not found. |
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| 1:14 |
Lyric Three Voice Invention
Piano solo |
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| 1:15 |
Introduction and Concert Fugue
Piano solo
Dated New York, February, 1926. Inscription at end in red pencil: “I thank
you. Wm B. Rosza.” |
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| 1:16 |
Variations on an Original Theme, [Opus 1 (sic)]
Piano solo
Negative in ms paper folder dated January 1, 1927. “Op. 1” handwritten at top
of page. |
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| 1:17 |
Scherzo for String Quartet
Violin 1&2, Viola parts. Third movement of First String Quartet |
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| 1:18 |
[First] String Quartet
2 violins, viola, cello
Ms enclosed in sheets with sketches, dated April, 1927. |
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| 1:19 |
[First] String Quartet
2 violins, viola, cello
Set of parts with extra 2nd violin, in different hands. |
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| 1:20 |
[First] String Quartet
2 violins, viola, cello
Another set of parts. |
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| 1:21 |
[First] String Quartet
2 violins, viola, cello
Another set of parts. |
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| 1:22 |
[First] String Quartet
2 violins, viola, cello
A third set of parts. This set explicitly designated “First” String Quartet. |
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| 1:23 |
String Quartet on Two Themes for two violins,
viola, and cello [First String Quartet]
2 violins, viola, cello
Inscribed “For the ‘first’ Bearns Prize. |
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| 1:24 |
Quartet Four movements on three
notes; Three Simple Expressions of a Child, for
strings and woodwinds
Copy of First String Quartet and earlier version of Three Short Impressions
bound together in hardcover notebook. Titles of movements in this version are
“The Flattering Kiss” (strings), “Ups and downs in quints” (woodwinds), and
“The basso ostinato of the libido” (strings and woodwinds). |
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| 1:25 |
Rondo for Stringed [sic] Orchestra
String orchestra
Set of parts. First movement of Three Short Impressions for Strings and
Woodwinds. |
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| 1:26 |
Scherzo for Woodwinds
Woodwinds (2,2,2,2)
Set of parts. Second movement of Three Short
Impressions for Strings and Woodwinds |
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| 1:27 |
Andante Grotesque (Rondo) for Strings and
Woodwinds
String orchestra; woodwinds (2,2,2,2)
Set of parts. Second movement of Three Short
Impressions for Strings and Woodwinds |
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| 1:28 |
Three Short Impressions for Strings and
Woodwinds
String orchestra; woodwinds (2,2,2,2)
Dated 1927 in pencil on title page. |
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| 2:1 |
Sonate pour Piano
Piano solo
Vellum master for ozalid copy, dated Paris, 1929 |
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| 2:2 |
Sonate pour Piano
Piano solo
3 copies, all dated Paris, February-April, 1929 |
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| 2:3 |
Quartet for Piano, Violin, Viola, and Cello, in
Three Movements.
Piano, violin, viola, ‘cello
Inscribed “for Pulitzer Prize.” Attached envelope with handwritten
biographical note (letter removed to Correspondence). [Earlier (?)] version of
the Magyar Quartett. |
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| 2:4 |
[Quartet for Piano, Violin, Viola, and Cello, in
Three Movements]
Untitled copy of above. |
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| 2:5 |
[“Magyar” Quartett for Pianoforte, Violin, Viola,
and Cello]
Piano, violin, viola, ‘cello
String parts for “Magyar” Quartett |
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| 2:6 |
“Magyar” Quartett for Pianoforte, Violin, Viola,
and Cello
Piano, violin, viola, ‘cello
Dated in pencil on title page: 1928. |
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| 2:7 |
“Magyar” Quartett for Pianoforte, Violin, Viola,
and Cello in Three Movements
Piano, violin, viola, ‘cello
Inscribed “Dedicated respectfully to Mr. Keith McLeod. Notation on title page:
“This work is the winner of the I. Seligman prize of 1928. Inst of Mus. Art of
NY.” Dated March 1930, New York. |
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| 2:8 |
String Quartet
Incomplete pencil sketch |
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| 2:9 |
String Quartet
Set of parts for above. Incomplete movement marked “Slow blue” |
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| 2:10 |
Overture to “IF”
Orchestra
Dated February-March, 1928, NY. Inscribed with quotation from Kipling. |
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| 2:11 |
Overture to “IF”
Orchestra
Draft copy, enclosed in cello part for Scherzo for String Quartet |
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| 2:12 |
March
Piano solo
Fair copy, incomplete |
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| 2:13 |
Second String Quartet
Ink copy, undated. |
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| 2:14 |
Second String Quartet
Signed copy, dated November, 1933- June, 1934 |
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| 2:15 |
Second String Quartet
Pencil sketches. |
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| 2:16 |
Second String Quartet
Score, ink on vellum master for ozalid copy. |
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| 2:17 |
Second String Quartet
Set of parts, ink on vellum master for ozalid copy. |
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| 2:18 |
Second String Quartet
Score, ozalid copy, bound. |
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| 3:1 |
Second String Quartet
Set of parts, ozalid copy. |
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| 3:2 |
Sonata for Violin and Piano
Violin and piano
Pencil copy, mm. 1-138 in manuscript paper folio, continued in bound notebook.
Tone rows and sketches at beginning of ms. |
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| 3:3 |
Three Songs in the Twelve Tone Series (To, From,
Danser).
Soprano and piano
Ink copies, dated November, 1938. |
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| 3:4 |
Three Songs in the Twelve Tone Series (To, From,
Danser).
Soprano and piano
Vellum master for ozalid copy. Texts by Nadia Soklova. First two songs in
English, third song in French. |
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| 3:5 |
Three Songs in the Twelve Tone Series
Soprano and piano
Pencil copies of From and Danser, sketches of 12 tone series. |
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| 3:6 |
Three Songs in the Twelve Tone Series (Danser To,
From).
Alto and piano
Vellum master for ozalid copy. Lower pitch version of above. Note change in
order of songs. |
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| 3:7 |
Three Songs in the Twelve Tone Series (To, From,
Danser).
Alto and piano
Ozalid copies. |
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| 3:8 |
Sonata for Violin and Piano
Vellum master for ozalid copy, dated Iowa City, October-November, 1944. |
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| 3:9 |
Sonata for Violin and Piano
Violin part
Vellum master for ozalid copy. |
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| 3:10 |
Symphony Ibis 39
Orchestra
2 Pencil sketches, one dated 1939. |
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| 3:11 |
[Symphony Ibis 39]
Orchestra, soprano & baritone solos
Untitled ms. Soprano and baritone solos (French text by Nadia Soklova, 1936)
in third movement. Date at end, March 6, 1943, Iowa City. |
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| 3:12 |
[Symphony Ibis 39]
Orchestra, soprano & baritone solos
Vellum master for ozalid copy, not dated. |
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| 3:13 |
[Symphony Ibis 39]
Orchestra, soprano & baritone solos
Ozalid print, bound. Program notes with 12 tone row. Soklova poem included.
Dated Iowa City, February-May 1943. |
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| 3:14 |
[Symphony Ibis 39]
Orchestra, soprano & baritone solos
With typescript copy of poem L’Ibis 39 by Nadia Soklova. |
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| 4:1 |
Sketches for string quartet
(pencil copy) dated Feb 15, 1976. |
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| 4:2 |
Quintet for Piano and Strings
Piano, 2 violins, viola, cello
Pencil copy. |
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| 4:3 |
Quintet for Piano and Strings
Piano, 2 violins, viola, cello
Bound ozalid copy. |
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| 4:4 |
Quintet for Piano and Strings
Piano, 2 violins, viola, cello
Set of string parts, bound, ozalid copies. |
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| 4:5 |
March
Male chorus with piano
Autograph, marked “Attention of Judges of Prize Song. |
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| 4:6 |
March
Male chorus with piano
Negative print, with copy of poem. |
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| 4:7 |
March
Male chorus with piano
Photocopy. |
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| 4:8 |
[March]
Male chorus with piano
Autograph, rough copy, untitled. |
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| 4:9 |
A Colored Concert
Orchestra
Autograph score, incomplete. |
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| 4:10 |
A Colored Concert
Orchestra
Pencil sketch, incomplete. |
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| 4:11 |
Hymn to Death
Orchestra, mezzo soprano and baritone soloists, mixed chorus
Autograph score. |
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| 4:12 |
Hymn to Death
Orchestra, mezzo soprano and baritone soloists, mixed chorus
Autograph piano/vocal reduction. |
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| 4:13 |
[Untitled]
Orchestra
Unidentified, incomplete composition for orchestra.
In folder marked “Moszkowski.” |
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| 4:14 |
[Untitled]
2 pianos
Unidentified, incomplete composition for two pianos. |
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| 5:1 |
[Spirituals]
Solo instrument.and piano
Arrangements of two spirituals, “I Got Shoes” and “Nobody Knows the Trouble
I’ve Seen” for unidentified solo instrument and piano. |
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| 5:2 |
Ti-sca-B Prelude
Viola and piano
Pencil sketch of incomplete composition for viola and piano. Sheet with tone
row permutations in different colors. |
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| 5:3 |
Sketches
[Orchestra]
Sketches for unidentified orchestral work. |
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| 5:4 |
Sketch (fragment)
[Orchestra]
Brief pencil sketch for orchestral work. |
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| 5:5 |
Sketch
[Orchestra]
Brief pencil sketch for orchestral work. |
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| 5:6 |
String Quartet sketches
String Quartet
Pencil sketches for unidentified string quartet. |
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| 5:7 |
Sketches
Sketches for various works (piano, string quartet, orchestra) together in
manuscript paper folder with numbered pages.. String quartet dated January 12,
1927. |
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| 5:8 |
Sketches for String Quartet
Pencil, first page marked “Tempo di Csardás.” |
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| 5:9 |
Sketches, possibly orchestra piece. |
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| 5:10 |
Sketch, piano piece [?] |
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| 5:11 |
Sketches, miscellaneous. |
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| 5:12 |
Sketch
Solo instrument and piano
Pencil sketch, incomplete, unidentified solo instrument (possibly violin) and
piano. Notation at top of page “Russian Concert[o]. |
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| 5:13 |
Chorale Tunes
Ink copies of two chorale tunes with German texts, Wachet Auf (Gloria sie dir
gesungen), and Es is gewesslich ander Zeit. |
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| 5:14 |
Sketch for song
Voice and piano
Pencil, 6 measures of melody with words, “Like to a stone that rolls down a
hill, I have come to this day.” |
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| 5:15 |
Sketch
Solo instrument and piano
Approximately 9 measures, 5/4, A flat major, unidentified solo instrument. |
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| 5:16 |
Sketch
Piano quartet
Brief sketch of piece for piano, violin, viola, and ‘cello. |
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| 5:17 |
Sketches, miscellaneous
Folio of pencil sketches for various pieces. |
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| Series 2: Manuscripts and printed music of compositions by other composers |
| 5:18 |
Glasier, John Strong Suite for Viola and Piano (Stonehenge)
Viola and piano
Ozalid print, stamped “Reproduced by Independent Music Publishers, 205 East
Forty Second Street, New York.” |
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| 5:19 |
Goode, Jack C. Processional (organ)
New York- Nashville, Abington Press, 1962 APM 78 |
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| 5:20 |
Goode, Jack C. 5 choral octavos |
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| 5:21 |
Harris, Russell G. [Dance Group]
Two pianos
Movements 1, 2, & 4. Piano I part, rough ink copy. |
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| 5:22 |
Harris, Russell G.
[Dance Group]
Two pianos
Movements 3 (two copies)& 5. Ozalid prints, stamped “Reproduced by Independent
Music Publishers, 205 East Forty Second Street, New York.” |
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| 5:23 |
Harris, Russell G. Suite for Piano, opus 3
Piano solo
Ozalid print, stamped “Reproduced by Independent Music Publishers, 205 East
Forty Second Street, New York.” |
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| 5:24 |
Ives, Charles
It Strikes Me That…
voice and piano
New York, Mercury Music 1935
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| 5:25 |
Kurucz, János
Grand Caféban (voice and piano)
Voice and piano; Hungarian text.
Inscribed “Rosza G. Lajos.” |
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| 5:26 |
Palotásy 101 Magyar Népdal [101 Hungarian Songs]
Collection of songs with piano accompaniment. Budapest, Bárd Ferenc [Francis
Bárd, Budapest, Leipzig, New York], 1921 |
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| 5:27 |
Parisotti, Alessandro
Arie Antiche
Collection of Italian art songs with piano accompaniment
Milan, Ricordi, 1885 50248-51
Inscription in Hungarian, signed [unknown], dated [?], 192 |
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| 5:28 |
Valente, William E. Concerto for Cello and Orchestra
Ozalid print.
Master’s thesis. Typescript commentary included. Dedicated to Béla Rózsa with
inscription “to my dear teacher Béla Rózsa, who I owe more to than can ever be
expressed in words.” Signed by composer, dated May 4, 1957. |
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| 6:1 |
Meyers, Robert L. Continuum: Suite for Orchestra
Ozalid print.
Master’s Thesis, with signatures of Thesis Committee (Béla Rózsa, Roger Fenn,
Louis Weinberg). Typescript dedication and acknowledgement (p. iii) of Béla
Rózsa’s assistance and guidance. |
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| 6:2 |
McQuere, Gordon D. Fantasy for Organ
Ozalid print.
Typescript letter found in score (see Correspondence) from McQuere (apparently
a former student from Iowa Wesleyan) asks Rózsa’s assistance in finding
college teaching position, and comments on conservative taste of organists. |
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| 6:3 |
Kerne, Donald Concerto for Violin and Orchestra
Ozalid print.
Inscription: Dedicated with respect and gratitude to Béla Rózsa- my friend
and teacher. Signed, dated Tulsa Oklahoma, April 9, 1949. |
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| Series: 3: Student Work |
| 6:4 |
Student Theory Notebook
William Béla Rózsa
“Theory II”
Institute of Musical Art
Notebook of theory/harmony exercises dated October 22, 1923- May 26 [1924]. |
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| 6:5 |
Student Exercises
William Béla Rózsa
“1923-1924 Third Year”
Folio of counterpoint exercises dated June 5-September 8, 1924. |
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| 6:6 |
Student Exercises
“Counterpoint”
Folio of counterpoint exercises dated October 22, [1]924-[?] |
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| 6:7 |
Student Exercises
Canons and fugues
Folio of canons and fugues for various vocal and instrumental ensembles, dated
New York, November-[?], 1925. |
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| 6:8 |
Student Exercises
“VI th year”
Folio of compositions in different forms (variations, sonata-allegro, etc.)
for various ensembles. Dated from October 20, 1926. |
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| Series: 4: Correspondence |
| 6:9 |
To: Béla Rózsa. June 21, 1943
From: Henry Cowell, New York, NY
Typescript, signed by secretary
Letter stating regret that Cowell was unable to arrange for performance or
publication (in the New Music Edition) of Rózsa’s Three Songs for Soprano. |
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| 6:10 |
To: [Béla Rózsa]. October 1, 1928
From: Musical Fund Society of Philadelphia
Typescript on letterhead, unsigned.
Form letter for return of manuscript submitted to composition contest. Lists
winners Bela Bartok, Alfredo Casella, H. Waldo Warner, Carlo Jachino). |
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| 6:11 |
To: [Pulitzer Prize Committee]
From: Béla Rózsa, New York, NY
Holograph, signed.
Found in envelope attached to ms score of Piano Quartet in Three Movements.
Identifies himself as composer of anonymously submitted composition, and gives
brief biographical sketch. |
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| 6:12 |
To: Béla Rózsa, Iowa City, August 15 [19__]
From: Gordon McQuere
Typescript, signed.
Found with score of writer’s Fantasy for Organ. Thanks Rózsa for his
assistance and guidance, mentions that he is looking for a college teaching
position, and comments on difficulty of finding organists interested in 20th
century music. |
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| Series: 5: Papers and Articles by Béla Rózsa |
| 6:13 |
Symbolic Irrationals in Music
Typescript (4 copies, 1 signed)
[undated]
Paper in the form of a dialogue between “Dr. Ion” and Socrates. |
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| 6:14 |
Communications in Secondary Attributes of Music
Typescript (3 copies)
[undated]
“This is a continuation of a dialogue on the meaning of music between Socrates
and Dr. Ion …” |
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| 6:15 |
Is Jazz an International
Language?
Typescript
[undated] |
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| 6:16 |
Schoenberg, The III Quartet and Motive Tonality
Typescript (2 copies)
San Antonio, March 4, 1954 |
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| 6:17 |
Verbalizing an Error
Paper for Communications Forum
Typescript [carbon copy]
November 5, 1958
Analysis of errors in a chess match. |
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| 6:18 |
Counterpoint
Paper for Communications Forum
Typescript
September 2, 1959 |
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| 6:19 |
The Insensitive Fraud
Typescipt, signed
January 19, 1968 |
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| 6:20 |
Didactics
Typescript, signed
March 7, 1962 |
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| Series: 6: Ephemera |
| 6:21 |
Folder 13 Concert Program
University of Tulsa, College of Fine Arts
The Third Southwestern Composers Festival
May 8-9, 1948
Kendall Hall
Béla Rózsa, Festival Chairman
Program of works by Donald Utz, Benjamin Goodsell, Jack C. Goode, Robert N.
Williams, Joseph Hofrichter, Joseph Dunlap Russell G. Harris, Béla Rózsa (Quintett
for Strings and Piano), Everett Hibbard, Charles Flint, Theo Nix, Adolph
Weiss, and Bela Bartok. |
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| 6:22 |
Folder 14 Concert Program (2 copies)
Concertime, Inc. Presents Music “In the Round”
Philbrook Art Center
January 13, 1957
Dwight Dailey, clarinet; Barton Frank, ‘cello; Tosca Kramer, violin; Getty
Krieg Murphy, soprano; Béla Rózsa, piano
Program of works by Brahms, Beethoven, Schubert, and Ravel. |
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| 6:23 |
Concert Program
Baylor University School of Music
The Baylor University Symphony Orchestra
James Thomson, conductor
Béla Rózsa, soloist
Waco, Texas
November 15, 1938
Rosza as soloist in Rachmaninoff 2nd Piano Concerto. |
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| 6:24 |
Concert Program (5 copies + 2 incomplete)
[Institute of Musical Art]
Twentieth Students’ Recital
“Saturday afternoon, April 14th at two o’clock
Typescript. Includes performance of Rosza’s Magyar Quartet for piano and
strings. Found in ms score. |
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| 6:25 |
Concert Program (5 copies + 2 incomplete)
[Institute of Musical Art]
Thirtieth Students’ Recital
May 14, [1927]
Typescript. Includes performance of Rosza’s Allegro con Fuoco for String
Quartet, Scherzando for Eight Woodwinds, and Andante grotesque for Strings and
Woodwinds. |
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| 6:26 |
Concert Program (2 copies)
Tulsa Civic Ballet
March 6, 1964
Cast includes Maria Tallchief and Oleg Tupine, Béla Rózsa, orchestra
conductor. |
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| 6:27 |
Press Release
Baylor University
Waco, TX September 19, 1938
Announcement of Rosza’s appointment to School of Music faculty. |
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| 6:28 |
Press Release
Library of Congress
[not dated]
Announcement of the winner of the 1936 Elizabeth Sprague Coolidge Prize (Jerzy
Fitelberg). |
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| 7:1 |
Periodical
The Sinfonian
Phi Mu Alpha
January, 1958 |
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| 7:2 |
Periodical
The Baton (2 copies)
Institute of Musical Art
June, 1927 (graduation issue)
Photograph of Rosza as winner of the I. N. Seligman Composition Prize. |
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| 7:3 |
Poems by Nadia Soklova
Typescript copies of several poems by Nadia Soklova. |
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| 7:4 |
Newspaper
Az Ember
May 19, 1927
Hungarian language newspaper published in New York. |
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| 7:5 |
Newspaper clipping
Az Ember
October 11, 1947
Page from Hungarian language newspaper published in New York. |
|
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| Series 7: Chess Related Materials |
| 7:6 |
Newspaper clipping
[The New York Times]
“Three Remain Tied in U.S. Open Chess”
Milwaukee, August 18, [19__]
Report on U.S. Open Chess Tournament in Milwaukee. Béla Rózsa listed among
participants. |
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| 7:7 |
Echec et Mat
[Belgian (French) Chess Journal]
September 15, 1947 |
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| 7:8 |
Correspondence Chess Materials
Three post cards from J. B. Holt to Béla Rózsa concerning a Belgian
correspondence chess tournament, dated December 12, 17, and 21, 1946. Blank
correspondence chess tournament form. |
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| 7:9 |
Chess Match Forms
Group of filled in forms for match in Dallas, dated August 22-28, 1942. Three
forms not dated. Béla Rózsa vs. various opponents. |
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| 7:10 |
Chess Match Form
Filled in form for match (Béla Rózsa vs. Moote), dated March 27, 1952. |
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| 7:11 |
Chess Match Form
Filled in form for 57th Annual USCF National Open Tournament, Oklahoma City,
dated July 25, 1956. Béla Rózsa vs. C. Freeman. |
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| 7:12 |
Chess Match Form
Filled in form for Invitational Summer Chess Tournament, dated July 27, 1961.
Béla Rózsa vs. Stewart. |
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| 7:13 |
Flyer
Advertising circular for periodical Chess. |
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| 7:14 |
Southwestern Open Tournament, Dallas, Texas.
Mimeograph, 2 pages. Rules and instructions for tournament dated August
30-September 1, year not indicated. |
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| 7:15 |
I.C.C.A.
Newsletter, International Correspondence Chess Association, No. 10, October,
1947; No. 11, November, 1947. |
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| 7:16 |
Mail Chess
Newsletter, International Correspondence Chess Association, volume IV, no. 38,
March, 1949; volume IV, no. 42/43, June/July, 1949. |
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|
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| Series 8: Materials Relating to the Annual Béla Rózsa Memorial Concert and
Composition Contest |
| 7:18 |
Program
2001 Béla Rózsa Student Composition Recital and Competition
Monday, February 25, 2001
Tyrrell Hall Auditorium
Works by Paul Knight, Muczynski, Daniel Arthurs, Gabriel Royal, Aaron Copland,
Jeremy Forbis. |
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| 7:19 |
Program
2002 Béla Rózsa College and High School Music Composition Competition and
Recital
Saturday, February 9, 2002
Tyrrell Hall Auditorium
Works by Carl Wienecke, Jon Knudson, Kayla Healey, Candace DeLong, Hailey
Wynn, Gabriel Royal, Daniel Arthurs, Jaime Carini, Anna Tackett. |
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| 7:20 |
Program
2002 Béla Rózsa Memorial Concert
Works by Margaret Garwood, Louis Ballard, Joseph Rivers, Béla Rózsa, Ellen
Zwilich, Aaron Copland, and competition winners Kayla Healey and Daniel
Arthurs. |
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| 7:21 |
Program
2003 Béla Rózsa Student Composition Competition and Recital
February 22, 2003
Tyrrell Hall Auditiorium
Works by Junya Yamaichi, Hilary Welch, Daniel Arthurs, Thomas Hartwick,
Jeffrey Newsome, Gabriel Royal. Judges listed: Gwyneth Walker, Michael
Bedford, Eliot Glaser. |
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| 7:22 |
Arthurs, Daniel The Emerald Isle
Soprano, flute, piano
Photocopy, bound, 2 copies
Winning entry (College Division) for 2003 Béla Rózsa Composition Competition. |
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| 7:23 |
Program
2003 Béla Rózsa Memorial Concert
February 24, 2003
Tyrrell Hall Auditorium
Works by Elliott Carter, Gwyneth Walker (J. Donald Feagin Visiting Artist),
Aaron Copland, Libby Larsen, Joseph Rivers, Dominick Argento, and College
Division winner, Daniel Arthurs. |
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| 7:24 |
Program
The 2004 Béla Rózsa High School and College Student Composition Competition
Finals
February 21, 2004
Tyrrell Hall Auditorium
Works by Kenneth Baucum, Gabriel Royal, Victoria Southard, Thomas Hartwick,
Rick McKee. |
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| 7:25 |
Program
The 2004 Béla Rózsa Memorial Concert
February 22, 2004
Tyrrell Hall Auditorium
Works by Roger Price, Samuel Adler, Joseph Rivers, Eliot Glaser, Gabriel
Royal, David Moore, John Duke, Jake Heggie, Ernst Bacon, Lee Hoiby, High
School Division second place winner, Thomas Hartwick, High School Division
winner, Rick Mckee, and College Division winner, Gabriel Royal. |
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| 7:26 |
Royal, Gabriel Mid-day High
2 sopranos, 2 violins, viola, 2 ‘cellos
Photocopy, bound
Winning entry (College Division), 2004 Béla Rózsa Composition Competition |
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| 7:27 |
Hartwick, Thom Numinous Notions
String quartet
Photocopy, bound
Second place winner (High School Division), 2004 Béla Rózsa Composition
Competition |
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| 7:28 |
McKee, Rick In Paradisum
SSA, keyboard
Photocopy, bound
First place winner (High School Division), 2004 Béla Rózsa Composition
Competition. |
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|
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| 7:29 |
Program
The 2005 Béla Rózsa High School and College Student Composition Competition
Finals
Works by Victoria Southard, Kayla Healey, Matt McCulloch, Erik Collins, Jeff
Newsome, Noam Faingold, Jeremy Ricketson. Judges listed: David Moore, Tim
Moberly, Vernon Howard. |
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| 7:30 |
Program
The 2005 Béla Rózsa Memorial Concert
February 10, 2005
Sharp Chapel
Works of Libby Larsen (J. Donald Feagin Visiting Artist), Erik Collins (2nd
place winner, 2005 Béla Rózsa Composition Competition, High School Division),
Kayla Healey (1st place winner, 2005 Béla Rózsa Composition Competition, High
School Division), and Jeremy Ricketson (winner, Béla Rózsa Composition
Competition, College Division). |
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|
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| 7:31 |
Ricketson, Jeremy String Quartet
Photocopy, bound
Winning entry (College Division), 2005 Béla Rózsa Composition Competition. |
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| 7:32 |
Collins, Erik White Fields
Voice and piano
Photocopy, bound, 2 copies
Text by James Stephens. 2nd place winner (High School Division), 2005 Béla
Rózsa Composition Competition. |
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| 7:33 |
Program
The 2006 Béla Rózsa High School and College Student Composition Competition
Finals
February 14, 2006
Tyrrell Hall Auditorium
Works by Aaron J. Morton, Jamie Whitmarsh, Timothy Stuhlman, Matthew Sumner,
Matthew McCulloch, Noam Faingold, Ryan Tedder, Jeremy Ricketson, Karl Johnson,
Austin Pendergrass. Judges listed: David Moore, Tim Moberly, Teresa Reed. |
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| 7:34 |
Program
The 2006 Béla Rózsa Memorial Concert
February 16, 2006
Tyrrell Hall Auditorium
Works by Dmitri Shostakovitch, Aaron J. Morton (2nd place winner, High School
Division, Béla Rózsa Composition Competition), Jamie Whitmarsh (1st place
winner, High School Division, Béla Rózsa Composition Competition), and Karl
Johnson (winner, College Division, Béla Rózsa Composition Competition). |
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| 7:35 |
Newspaper clipping
The Collegian (TU student newspaper)
Issue 17, February 4, 2006
Arts & Entertainment section. Two stories by Paul Goodloe:
Annual Béla Rózsa competition and concert to take place in Tyrrell
(includes photograph of 2005 competitors)
Professor catalogues newly discovered Rózsa artifacts (outlining the
formation of the Béla Rózsa Archive). |
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| 7:36 |
Morton, Aaron J. The Tiles of Eden
Piano solo
Photocopy, stapled, 2 copies
Second place winner (High School division), 2006 Béla Rózsa Student
Composition Competition. |
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| 7:37 |
Whitmarsh, Jamie Solo for Marimba in D Minor
Marimba solo
Photocopy, stapled
First place winner (High School division), 2006 Béla Rózsa Student Composition
Competition. |
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| 7:38 |
Johnson, Karl
Music for a Chase
Piano solo
Winning entry (College Division), 2006 Béla Rózsa Student Composition
Competition. |
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Copyright © 2008 McFarlin Library - The University of Tulsa. All rights
reserved.
Revised: 08/20/09.
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